
Indonesian
director Joko Anwar follows up his cult favorite KALA (2007) with a horror film
that considers no topic off limits, including abortion, rape, and child abuse.
Like Gambir’s own art, the film’s impeccable style makes its content even more
shocking. In the synthetic Jakarta constructed for the film, Anwar evokes an
uncanny cityscape; characters are dwarfed by billboards (“Welcome to the
Smiling Land”), while many of the interior spaces are private or practically
empty. Anwar’s
Jakarta is as nightmarish as
Nicolas Roeg’s
Venice in DON’T LOOK NOW, or
Polanski’s
Paris
in THE TENANT, but Anwar seems less interested in keeping a cool distance than
in pushing our collective buttons, and gleefully trades quiet dread for all-out
gore when he goes for the gross-out. Come prepared: this is a film that’s
unafraid to let its freak flag fly.